A Compilation Of My Working Notes - Archon and the Arts: Gnosis and Logos in Music and Media and Other Miscellaneous Thoughts and Ideas: Life in the Simulated Reality Matrix

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Note 6\7\2019

Listening to the Gnosis of WB Yeat on Aeonbytes. The guest Kevin Kiely, an Irishman (of course!) suggested someone do a study of Milton's influence through his poetry on terms used in rock and heavy metal music. He cited things like, bat out of hell, hell's angels, and such. Curious too, because just the other day killing time before the bus, I went into the bookshop and of all things I wondered if they had a copy of Milton's Paradise Lost, which I never read to completion - and they had a book of his collected poems, but sans PL. So this is something I'd certainly like to dedicate some time to in the future. 

 Reposted from my FB Page 1\22\17

From Paulicianism/Gnostics Wiki: “In dualistic theology, there are two principles, two kingdoms. The Evil Spirit is the demiurge, the author and lord of the present visible world; the Good Spirit, of the future world.[3] Of their views about the creation of humanity, little is known but what is contained in the ambiguous words of Sergius. The passage seems to teach that Adam’s sin of disobedience was a blessing in disguise.” This statement resonates with me, with certain experiences related to my encounter with the Archon. From Lash’s The Promise of a Lonely Planet “Gnostic teachings constantly emphasize that the Archons are imitators who cannot produce anything original, yet they arrogantly claim they can. The Lord Archon is called antimimon pneuma, “counterfeit spirit.” (Apoc John III, 36:17. The term occurs several times in different texts.) The cosmos he produces is described by the Coptic term hal, “simulation.” The vast planetary system of the Archons is a stereoma, a virtual reality projection in simulation of a higher dimensional pattern.” HAL? Yes, Dave? Kubrick – HAL as the all-seeing-eye, sociopath; our world as simulation. The all-seeing-eye of archontic hosting True: “Archons simulate in the cosmos at large, and they also simulate in the human mind. This is a key indication of their effect, a clue to their subtle intrusion tactics.”

Archon and the Arts – And Rock Music I have much to say in this regards. These are only a few simple notes, intended to start people thinking in this direction. The arts (that is, creativity) and the archon are inextricably linked.
Essay on rock n’ roll music, archons, and the love-bite. As much or more information about the archon, love-bite, archontic materialistic thinking, filters through the artist as musician than even writing or film, regardless of whether or not the artist/musician is thoroughly familiar with the archontic subject matter through direct experience or simply through “inspiration.”

Trent Reznor/NIN, Tool, Deftones/Palms, Queens of the Stone Age, Smashing Pumpkins [complete list] are all rock bands that openly convey archontic and love-bite knowledge in their lyrics. Songs/Albums: All of NIN, especially the later albums, obviously. Esoteric. Metallica – Load album. All archontic material. Stairway to Heaven – Lenny Kravitz – Kravitz album. Songs such as “You were in my heart” – written out of archontic experience. Serve the Servents – Nirvana [Sucide archontic relationship]

AIC – entire catalog. Of note: The Devil Put Dinosaurs Here. Can translate it down: devil = demiurge = alien entities. Computer simulated reality…and there you have it. AIC is the perfect example of the link between opiate and the arts – and the archon. A good place to add my notes here on the importance of the opiate to humanity, historically – going all the way back to the Mysteries. The opiate being more important to humanity – because of its affect on dreaming – than we realize. The wars we fought over opium, the synthesis of heroin and it demonization today, the pain-pill epidemic, the control of pain medication by big pharmaceutical companies – all the product of a long-intended agenda by the archon to rob humanity of a natural, earth-grown source of enlightenment, in regard to our dream-states. By this, I mean, if the opiate had not been taken away from humanity long ago, through archontic interference, we would have woken up to the true reality of our world a long time ago. The Mysteries, in my opinion, was nothing more than a revealtion of the archon, perhaps in some elaborate fiction constructed by the archon and sold to the ancients – who were so blown away by the experience, they kept the secret of the “esoteric” knowledge imparted to them. This idea nees to be developed fully. I have the notes. In fact, my orphic novel, the one these archontic entities have sought to prevent me from writing, over the past decade, deals specifically with three ideas that are crucial to arriving at a modern understanding of the archon’s enslavement of humanity: Orphism (religion – perhaps the first archontically created religious myth), the love-bite (see religion, Orpheus and Eurydice, Garden of Eden – with the love-bite being, perhaps, the key factor behind a great majority of all male/female relationships in this world; and the cause behind what we call “the war of the sexes.” This war has been feeding the archon for thousands of years.), and opium – forget mariujana and mushrooms – the opiate unlocks dreams; it gives us more control over how and what we dream, and this is connected in some important way to the pineal gland – which is the theatre seat of archontic power over us (or would that be director’s seat?). Had the opiate not been taken away from us, en masse, I believe we would have have uncovered the archon and this computer simuliated reality we live in a long, long time ago.

[Add your more worked out notes from notebook here!] The love-bite is not the exception – it is the rule. The relationship between the sexes is anything but what we think it is. [Add here love-bite notes and Enoch connection idea. This is key to explaining relationship between the sexes. It is key to explaining why, now, the archontic agenda is to divide the sexes completely – women raising children without men, our men isolated. This is a secret archontic agenda, no fault of women or men. The Presidental race, being one major modern source to further this agenda. It will serve to divide the collective consciousness into two separate thought streams. All the while, the archon working their “magic” behind the scenes to bring about this agenda. The Love-Bite as Orchestrated Drama Permeates Pop Music as Theme Another case of hidden in plain sight. The love-bite is the rule, not the exception. I believe it has always been the case, going back to the myth of Orpheus, even before the Garden of Eden. The Love-Bite as Orchestrated Drama Permeates Pop Music as Theme Another case of hidden in plain sight. The love-bite is the rule, not the exception. I believe it has always been the case, going back to the myth of Orpheus, even before the Garden of Eden. The love-bite theme is now infiltrating the collective consciousness of our budding generations, though the love-bite has never been absent from pop/rock music as a theme. The love-bite is the new myth, being produced by the archon, through our artists and the entertainment industry. Some artists write what they know through first-hand experience, though the archon, in making their appearance, may come in any number of guises. For the heavy metal artist, it may be that Satan himself comes, Faustian contract in-hand. For the country artist, Jesus visits him with inspiration. For the more industrial sounding stuff – alien beings (David Bowie, anyone?).

In any case, the world is opening up the idea of an alien presence; the possibility – or is it a lie? – that other worlds, out there, in the stars, exist. And one of the main conduits used for pumping this new myth into the collective consciousness is music. I say myth because I don’t necessarily believe the archon are alien beings, despite the evidence shown to me by them to suggest it. Whatever the archon truly are – and they might simply be actual parasites of the mind (which would explain why, throughout human history, they have sought to direct our creative abilities to their end – spinning myths. Religion being the one collective myth that has served these archontic entities so well for so long.) – they want us to remain in the dark about the true nature of their existence.

Love-Bite Songs [This is really inexhaustible… Just give a few examples of what is unmistakable, work on it later.] Pillowtalk – Zayn Malik Lana Del Rey – pretty much everything is on theme. Xylo – America Miguel – Coffee

Color scheme of archontic duality theme as projected in music, as well as through the archontic experience – red and blue. This is key. Of course, goes back to Star Wars, of course. But when you live in the matrix, you should expect that you will be fed the propaganda of the controllers. The arts and entertainment have always been the system of propagation used by the archontic controllers. Their “inspiration” directing our artistic creations, more or less.

(TBD)
Artists and Suicide The possibility – a very stong one, in my opinion – that the death, mainly by suicide, of some of our greatest artists may have been due to contact with archontic entities, who seek to mold our beliefs and culture through the arts. They seek out artists, directly and indirectly to further this agenda, and sometimes, as a result, these artists don’t survive their encounter, their “game,” so to speak, with the archon. In other cases, I believe that some of our best artists are murdered or harrassed, and that archontic entites may be the source behind it. Suicides/ODs: Robin William, David Foster Wallace, Bill Hicks, Layne Staely [TBC], Kurt Cobain, Jimi Hendrix…. Murder: John Lennon Legal Problems: Pete Townsend (certainly has an archontic aspect to it, imo. Much of the Who’s work – Pete’s writing – deals with, lets say, archontic themes/knowledge. I need to give this a lot more thought, but I know I’m on the right track.
Notes Detailing My Experience, Observations, Thoughts, Conclusions, Since My First Encounter/Abduction With Archontic Entities, 10/31/15.

These are raw, unedited notes. Since I’m not in a postion to write polished essays dealing with my experience over the past year, I offer up the details of what I know in this shorthand form, mainly to corroborate the experiences of others, and to confirm what other knowledgeable individuals are writing about, in regard to the archon, computer simulated reality, love-bite relationships, abduction, MK-ULTRA/Monarch, etc.

I’m going to throw out a few details relating to my experience over the past year, as a result of my ongoing contact with parasitic alien archontic entites, which began on 10/31/15. Presently, I don’t have the time or means (I have no money, I work on a public computer, and my “contact” with these entities is burden enough for me to bear, since it is something I must battle on a 24/7 basis.) to write a full account of all I experienced since encountering these archontic entities, yet so much of what I experienced and learned in this time needs to be shared with others; those who have had similar encounters, and those experts that study such encounters.

The things I have to say, that is, the details or notes that I will drop here, might seem crazy or absurd to some. I don’t really care. I’m not putting these subjective facts and ideas out there for those individuals who need to be convinced of the truth (however, this is something I hopefully will be able to do in the near future), I’m putting it out there for those who already know the truth and are attempting to build on that truth by way of what they have experienced and intuited. In this case, I think that the experiences and thoughts I have to share here, in advance of my being able to explain in detail my ongoing encounter with these entities, and the circumstances behind my discovery of this information, will be invaluable to these individuals, or anyone who is writing and researching in the area of archon, archontic interference, alien abduction, computer simulated reality/the false matrix control system, the alien orchestrated love-bite, and similiar subject matter. Whether anyone accepts what I have to say as true or not, the fact remains that what I have to say, even if I toss out an experience or lesson from this expereince in the form of a single sentence, it is based on my experience and contact with these alien entities over the past year, and, for that reason, will resonate with the right person, at the right time.

– The Gospel of Thomas, from the Nag Hammadi Library, is an esoteric account of alien contact, abduction and post-abduction.

– I think it anything but a coincidence that the Nag Hammadi Library was discovered in 1945, two years before the start of the UFO craze, and supposed US contact with alien beings/UFOs, in 1945, given the nature of the material contained within these, until 1945, lost Gnostic texts. Furthermore, the inclusion of Plato’s Republic, 588A-589B, in the NHL is highly significant. This section of the Republic extends Plato’s thoughts on justice and injustice, [here I need to argue my ideas about the nature of justice and injustice, persecution, and how it might have special significance for those of us with AS. In this case, I would include, indigos and starseeds, though, in my opinion, it is nothing more than AS being given a new name.] before moving on to compare the nature of man (and the “image” of the soul) to a three-headed beast. I haven’t been able to explore this idea in detail yet, but I do believe it might share some sort of relationship with The First Apocalypse of James, from the NHC, where it says: “Whenever you are seized and you undergo death-pangs (mortal fear), a multitude of Archons may turn on you, thinking they can capture you. And in particular, three of them will seize you, those who pose as toll collectors. Not only do they demand toll, but they take away souls by theft. It is my belief that Plato’s Republic deals exclusively with the Archon, in esoteric form. See my other thoughts on the importance of the Republic, in relation to the archon, and guardianship of creativity, below.

– Paul Levy, championing the Wetiko idea – there is much truth in this. He also talks about the daimonic force behind creativity, as do many others, and idea I was deeply interested in, as a writer, prior to my knowledge of anything relating to alien intelligence or archon. He takes the Jungian line, that is, of the psyche, shadow, etc, with no physical existence. In any case, the idea that came to me through my experience with these entities is the possibility that the archon are devoid of creativity themselves, though they are expert at manipulating what exists already. They operate by leeching off of the human creative facility, by diverting will, intent, and through subconscious influence. First: this suggests that daemonic inspiration/knowledge does exist but the artist himself is the source of the creativity necessary to bring this knowledge/inspiration to life. I believe in many instances our artists are well aware of the source behind their creativity, though they never openly speak about it. (In contrast, Philip K. Dick and Stanley Kubrick would be examples of artists who tried to speak as openly as possible about the source behind their “artistic inspiration/knowledge.” In most cases, however, the majority of artists, whether good or bad, act as mere mediums, with no real conscious understanding behind what they create or why. Second: Plato’s Republic – the guardians Plato describes are guardians of creativity, of art, logos; a point I think is missed by all academics in regard to Plato’s discussion about poets and poetry. The key to the Republic is Plato’s thoughts about literature – creation, and guarding this creativity from the influence of malignant archontic influences. If one is of the belief that this world is actually some kind of computer generated simulation, a matrix environment (as I believe it is, and I’m yet to find a way to refute the proof I’ve been shown), then one will understand the possible affects creativity would have on such a world – will, intent and language (Logos) – individually and collectively. I believe the archon have always understood this, and have hijacked this process from humanity by parasitically leeching off of human creativity. I believe all human myth, religion especially, is the product of archontic entities influencing and tampering with human creativity for self-serving purposes, the implications of which are far reaching. This becomes even more critical if one entertains the idea that the holographic universe is real, and one takes into account Plato’s Theory of Forms. In this case, mass media, Hollywood films, bad fiction, pop music, etc. pollute the collective dream, and this pollution manifests itself in reality – archontic influence/inspiration, based on their own agenda, in controlling and shaping humanity, is the source of this pollution – post-creation. The Faustian deal, then, in some cases might literally be true, for those artists who do come into contact with archontic entities and enter into bargains with them as a result; though I hold the belief that much of what filters through our artists and gets turned out as art, is the product of artistic inspiration, but with the source of much of this “inspiration” being subconscious archontic influence. Hence, Plato’s emphasis on “guarding” the arts. This is highly simplified but on point.

– A week or so prior to my first abduction experience, I was accidentally electrocuted twice, in succession, and dropped to my knees, while attempting to unplug a hotplate my girlfriend was using to cook with. 220 volts. In my belief, this incident was not accidental but an attempt on the part of these entities to induce some kind of necessary electromagnetic state, prior to abduction. In this case, the link between archontic entites and electricity is well documented.

– Archon, Money and Debt – Important! Archontic agenda: reprogramming individuals who reject money and materialistic mindset to conform to said mindset.

See article: “Former Wall St. Banker Suggests Global Debt May Not Be Owned by Humans.” Girlfriend – new personality enslaved to the idea of indebtedness; ex-wife similar “change” over such issues, the tanking of our credit rating, etc. The ways in which debt and guilt has been used against me by these entities. How they use it against humanity, both monetary and karmic. These archotic entities seeks to change us into money worshippers, enslaved to the idea of debt and indebtedness. Aspies (my girlfriend(?) and myself), who put little to no value on money, are primary targets for this archontic agenda. Money and debt reprogramming is a key concern in advancing the archontic/negative alien agenda.


– I can see the skyfish that Robert Stanley talks about, with photos, on his webpage http://www.unicusmagazine.com/skyfi…. What I see is roughly of the same shape, size and appearance, except they are more translucent. There is also a connection between astral projection, these skyfish, and the physical world, though it is not something I’m willing to discuss yet in detail.
5\19\2019 It may have been due to astral externalization, to be cryptic.

And excerpt from Tom Montalk’s article Emotional Management that precisely pinpoints what lay behind the phenomena of gang-stalking type events within the matrix system: “Internal thoughtforms affect your behavior by regurgitating a negative frequency of loosh back into your main energy reservoir which corrupts your general mood in addition to sublimely keeping your world view in accordance with the illusion having generated the internal thoughtform in the first place. It affects both your emotions and perceptions and tends to keep them anchored in illusion.” The article is here: http://montalk.net/matrix/64/emotio…

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