Encounters with the Archon: Rock Music & the Arts - My Working Notes: Life in the Simulated Reality Matrix (SRM)

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Originally posted on FB 10/20/2016

From Paulicianism/Gnostics Wiki: 

“In dualistic theology, there are two principles, two kingdoms. The Evil Spirit is the demiurge, the author and lord of the present visible world; the Good Spirit, of the future world.[3] Of their views about the creation of humanity, little is known but what is contained in the ambiguous words of Sergius. The passage seems to teach that Adam's sin of disobedience was a blessing in disguise.”

This statement resonates with me, with certain experiences related to my encounter with the Archon.

From Lash’s The Promise of a Lonely Planet

“Gnostic teachings constantly emphasize that the Archons are imitators who cannot produce anything original, yet they arrogantly claim they can. The Lord Archon is called antimimon pneuma, "counterfeit spirit." (Apoc John III, 36:17. The term occurs several times in different texts.) The cosmos he produces is described by the Coptic term hal, "simulation." The vast planetary system of the Archons is a stereoma, a virtual reality projection in simulation of a higher dimensional pattern.”

HAL?
Yes, Dave?
Kubrick - HAL as the all-seeing-eye, sociopath; our world as simulation.
The all-seeing-eye of archontic hosting

True: “Archons simulate in the cosmos at large, and they also simulate in the human mind. This is a key indication of their effect, a clue to their subtle intrusion tactics.”

Archon and the Arts - And Rock Music
I have much to say in this regards. These are only a few simple notes, intended to start people thinking in this direction. The arts (that is, creativity) and the archon are inextricably linked.

Essay on rock n’ roll music, archons, and the love-bite. As much or more information about the archon, love-bite, archontic materialistic thinking, filters through the artist as musician than even writing or film, regardless of whether or not the artist/musician is thoroughly familiar with the archontic subject matter through direct experience or simply through “inspiration.” 

Trent Reznor/NIN, Tool, Deftones/Palms, Queens of the Stone Age, Smashing Pumpkins [complete list] are all rock bands that openly convey archontic and love-bite knowledge in their lyrics.

Nine Inch Nails: The Art of Self Destruction, Part One

Songs/Albums:
All of NIN, especially the later albums, obviously. Esoteric.
Metallica – Load album. All archontic material.
Stairway to Heaven -
Lenny Kravitz - Kravitz album. Songs such as “You were in my heart” - written out of archontic experience.
Serve the Servents - Nirvana [Sucide archontic relationship]

AIC - entire catalog. Of note: The Devil Put Dinosaurs Here. Can translate it down: devil = demiurge = alien entities. Computer simulated reality...and there you have it. AIC is the perfect example of the link between opiate and the arts - and the archon. A good place to add my notes here on the importance of the opiate to humanity, historically - going all the way back to the Mysteries. The opiate being more important to humanity - because of its affect on dreaming - than we realize. The wars we fought over opium, the synthesis of heroin and it demonization today, the pain-pill epidemic, the control of pain medication by big pharmaceutical companies - all the product of a long-intended agenda by the archon to rob humanity of a natural, earth-grown source of enlightenment, in regard to our dream-states. By this, I mean, if the opiate had not been taken away from humanity long ago, through archontic interference, we would have woken up to the true reality of our world a long time ago. The Mysteries, in my opinion, was nothing more than a revealtion of the archon, perhaps in some elaborate fiction constructed by the archon and sold to the ancients - who were so blown away by the experience, they kept the secret of the “esoteric” knowledge imparted to them. This idea nees to be developed fully. I have the notes. In fact, my orphic novel, the one these archontic entities have sought to prevent me from writing, over the past decade, deals specifically with three ideas that are crucial to arriving at a modern understanding of the archon’s enslavement of humanity: Orphism (religion - perhaps the first archontically created religious myth), the love-bite (see religion, Orpheus and Eurydice, Garden of Eden - with the love-bite being, perhaps, the key factor behind a great majority of all male/female relationships in this world; and the cause behind what we call “the war of the sexes.” This war has been feeding the archon for thousands of years.), and opium - forget mariujana and mushrooms - the opiate unlocks dreams; it gives us more control over how and what we dream, and this is connected in some important way to the pineal gland - which is the theatre seat of archontic power over us (or would that be director’s seat?). Had the opiate not been taken away from us, en masse, I believe we would have have uncovered the archon and this computer simuliated reality we live in a long, long time ago. [Add your more worked out notes from notebook here!]

The love-bite is not the exception - it is the rule. The relationship between the sexes is anything but what we think it is. [Add here love-bite notes and Enoch connection idea. This is key to explaining relationship between the sexes. It is key to explaining why, now, the archontic agenda is to divide the sexes completely - women raising children without men, our men isolated. This is a secret archontic agenda, no fault of women or men. The Presidental race, being one major modern source to further this agenda. It will serve to divide the collective consciousness into two separate thought streams. All the while, the archon working their “magic” behind the scenes to bring about this agenda.

The Love-Bite as Orchestrated Drama Permeates Pop Music as Theme

Another case of hidden in plain sight. The love-bite is the rule, not the exception. I believe it has always been the case, going back to the myth of Orpheus, even before the Garden of Eden. The Love-Bite as Orchestrated Drama Permeates Pop Music as Theme Another case of hidden in plain sight. The love-bite is the rule, not the exception. I believe it has always been the case, going back to the myth of Orpheus, even before the Garden of Eden. The love-bite theme is now infiltrating the collective consciousness of our budding generations, though the love-bite has never been absent from pop/rock music as a theme. The love-bite is the new myth, being produced by the archon, through our artists and the entertainment industry. Some artists write what they know through first-hand experience, though the archon, in making their appearance, may come in any number of guises. For the heavy metal artist, it may be that Satan himself comes, Faustian contract in-hand. For the country artist, Jesus visits him with inspiration. For the more industrial sounding stuff – alien beings (David Bowie, anyone?).

In any case, the world is opening up the idea of an alien presence; the possibility – or is it a lie? – that other worlds, out there, in the stars, exist. And one of the main conduits used for pumping this new myth into the collective consciousness is music. I say myth because I don’t necessarily believe the archon are alien beings, despite the evidence shown to me by them to suggest it. Whatever the archon truly are – and they might simply be actual parasites of the mind (which would explain why, throughout human history, they have sought to direct our creative abilities to their end – spinning myths. Religion being the one collective myth that has served these archontic entities so well for so long.) – they want us to remain in the dark about the true nature of their existence. 

Love-Bite Songs [This is really inexhaustible… Just give a few examples of what is unmistakable, work on it later.] Pillowtalk – Zayn Malik Lana Del Rey – pretty much everything is on theme. Xylo – America Miguel – Coffee

Color scheme of archontic duality theme as projected in music, as well as through the archontic experience – red and blue. This is key. Of course, goes back to Star Wars, of course. But when you live in the matrix, you should expect that you will be fed the propaganda of the controllers. The arts and entertainment have always been the system of propagation used by the archontic controllers. Their “inspiration” directing our artistic creations, more or less.

(TBD)

XYLØ - America

Artists and Suicide

The possibility - a very stong one, in my opinion - that the death, mainly by suicide, of some of our greatest artists may have been due to contact with archontic entities, who seek to mold our beliefs and culture through the arts. They seek out artists, directly and indirectly to further this agenda, and sometimes, as a result, these artists don’t survive their encounter, their “game,” so to speak, with the archon. In other cases, I believe that some of our best artists are murdered or harrassed, and that archontic entites may be the source behind it.
Suicides/ODs: Robin William, David Foster Wallace, Bill Hicks, Layne Staely [TBC], Kurt Cobain, Jimi Hendrix....
Murder: John Lennon
Legal Problems: Pete Townsend (certainly has an archontic aspect to it, imo. Much of the Who’s work - Pete’s writing - deals with, lets say, archontic themes/knowledge.

I need to give this a lot more thought, but I know I’m on the right track.

 Soundgarden - Like Suicide