Gnosis in Rock Music, the Foreign Installation of Carlos Castaneda, and the Simulated Reality Matrix
Disclaimer
This is a subject I hope to write about extensively once I sort out my financial difficulties, which I hope will allow me the chance to dedicate myself to writing full-time about my experience and knowledge of archon, simulated reality, the matrix, MK Ultra, paranormal interference in love relationships (Love Bite), Gnosticism, alien abduction, and other similar subjects; and in this case, how these topics are often portrayed in music, particularly in the lyrics of rock and heavy metal music. .
Instead of words, I'll begin my first installment with a pair of images that suggest something other than The Who not liking the work of Stanley Kubrick.
Gnosis in Rock Music
The following is a list (in progress) of bands whose music and lyrics address Gnostic themes, the love bite, simulated reality, aliens, alchemy, and other subjects and themes that seek to reveal deeper knowledge about the world we live in. As the list grows, I'll group bands into subcategories, for example, I believe all of the Deftones' (and all of Chino Moreno's other bands, Palms, Crosses, Team Sleep) albums, starting with 2000's White Pony, deal almost without exception exclusively with gnosis, the love-bite, MK Ultra, Twin Flames, and simulated reality, and emphasising the ways in which relationships between men and women are influenced, guided or controlled in relation to these subjects.
The Who
Led Zeppelin
Rush
Deftones
Crosses
Palms
Team Sleep
Filter
Nine Inch Nails
How to Destroy Angels
Lenny Kravitz
Fear Factory
Meshuggah
Electric Light Orchestra (ELO)
Alice in Chains
Jerry Cantrell
Corrosion of Conformity
White Stripes
Black Keys
Queens of the Stone Age
See also my other posts dealing with this subject matter. One of these days I hope to compile my ideas in this regard into a complete study.
Encounters with the Archon: My Working Notes Detailing My Thoughts and Experiences
A Compilation Of My Working Notes - Archon and the Arts: Gnosis and Logos in Music and Media and
Matrix Gnosis in Music, the Love Bite in Lyrics I: Army of Anyone; Filter
The Arts and the Archon: Inspiration as Manifestation - April 28, 2019
Songs For Beta Bitches & The Love-Bite Letters: YTBW
Other Miscellaneous Thoughts and Ideas
Music
I've only started dipping into Mark Devlin's work which deals with the ways in which music is used for mind-control programming, MK Ultra, military intelligence and similar themes. I haven't yet been able to explore his work fully, but from what I've heard so far I think it's worth checking out. He also has a book out dealing with the ways in which music is used for social engineering and mind control. See the link below for podcast where he discusses the dark side of popular music: Satanism, Freemasonry, subliminal messages, and reverse masking.
Also, as I've taken to pointing out, MK Ultra is merely an archetype at the government level for a program of mind control and cultural programming on a global scale that exists at the level of this world's hidden controllers, that is, a program that exceeds in every way the capabilities of MK Ultra, which I call MKulture. It is a program that is controlled by, take your pick: the archon/demiurge/aliens/central computer/the simulation/the matrix. MKulture, as I call it, is a program that I believe targets all of humanity from birth, or early childhood, with a very important component of this program being what Carlos Castaneda called the Foreign Installation. MKulture programming utilizes the arts - film, music, literature, etc, as well as news, religion, education, and other institutions to shape, control, manipulate, experiment on, and study entire populations on a global scale by targeting and programming world cultures directly through mind control programming methodologies that exceed by far what we know of the methodologies utilized by MK Ultra. If one understands what the Foreign Installation is, it becomes easier to understand how "inspiration" works, the source from which inspiration originates from, and how all people, in particular writers, musicians, and artists, are "inspired" and used as mediums to create and write works of art and music that influence and shape entire cultures and generations, yet with the content contained within the works of many artists, pop artists especially, often exceeding their own level of personal knowledge and understanding, which explains why so many artists are unable or unwilling to discuss the deeper meanings or messages contained within the works they create. This suggests to me that when it comes to certain hugely popular artists, writers, and musicians that, in addition to their knowing they are incapable of understanding and discussing their own work in any meaningful way, they also know why they can't understand it, and may in some cases know very specifically the "source" behind their "inspiration," which goes a long way to explain why so many artists after achieving fame and fortune are so often dissatisfied, unhappy, depressed, jaded, or even disdainful of their own artistic success - with many artists often openly admitting to feelings like fakes - and this is because they know they are only playing a role, that beyond the riches of their Faustain bargains, they are nothing but vessels used to deliver content that originates with our hidden controllers and serves a larger agenda, and therefore their "art" having little to do with their own creativity, imagination, or artistic talent. Artists of this kind are directly utilized or exploited for the purposes of MKulture programming, with some of these artists being fully conscious of their roles and who they are used, others only vaguely aware of it, but not caring, so long as they are rich and famous, and still others, who, when they come to realize they've been exploited or have been duped into becoming frauds, and they attempt to do something about it, they end up ruining their careers, bankrupt, or dead.
On the other hand, I do believe that their are also true artists, ones that do what they do without compromise, without agreeing to Faustian bargains, and who are careful to sift through and filter the content of their "inspiration" if it conflicts in a way with their personal vision of their art, why they do it, how they do it, and what the ultimate aim of their art is. It is my belief that in discussing the nature and use of poetry, Plato in the Republic, is addressing how the arts can be used or misused to influence people, the youth especially, though he doesn't so so far as to break down in the way I have, with there being two kinds of artists, those that are utilized and exploited for programming, and those whose work in order to oppose such programming, which therefore results in the creation of two very distinct types of artistic output, the first being art as a product, designed to earn tons of money, influence millions of people, and to advance the agenda of the hidden controllers; the second kind of art, created at the level of Platonic Forms, is created by artist who are aware of the possible negative influences that "inspiration" can have on their completed works, and so they work as honestly and diligently as possible to create art that conforms to their own level of knowledge and understanding, and instead of trying to create art that appeals to the masses, the art they create is intended to deepen their own knowledge and understanding of self within a world they know or intuit is being controlled and manipulated by hidden forces they may or may not know directly, but whose agenda they oppose overall.
It is important to keep in mind in all of what I discussed above, especially for those who think mostly in terms of the Illuminati, cabals, black magicians, and the various conspiracies these groups are thought to be the architects of, with systems of magic and mind control programs like MK Ultra being the primary means by which these conspiracies are brought to fruition, because the ways in which I pointed out that artists can be "inspired" by the hidden controllers, by means of what Carlos Castaneda called the Foreign Installation (FI) -- to do through their art the bidding of the hidden controllers, with the level of creativity and hidden agenda in their work, because they are channeling their "inspiration," exceeds anything their natural talent and/or artistic agenda would have led them to create otherwise; and that, while some artists are likely conscious that the "inspiration" they are channeling is something that comes from without, and has an agenda to it, many artists likely do not, so they continue doing what they do so long as the fame and fortune continues, even if they come to sense something fraudulent about what they do - though because they believe their "inspiration" is their own, not something channeled, let alone something intended to manipulate them, and to further a nefarious programming agenda, they fail to understand why they feel the way they do -- applies to everyone in the world, and, again, if one understands what the Foreign Installation is, how it effects the behavior of individuals, their beliefs, their programming, their biases, etc, and how this FI is utilized by the hidden controllers to manipulate everyone, including you and me. So it should become clearer now how individuals - without being Illuminati, without being in cabals, or without being black magicians - individually and collectively, can unconsciously do the bidding of the hidden controllers, and unwittingly serve to further their agenda, while all the time believing oneself to be doing good, important work that serves the greater needs of others - and here, in place of artists, think scientists, doctors, mental health professionals, lawyers, judges, lawmakers, politicians, feminists, human rights activists, religious leaders, etc, etc, can and do believe they are doing the right thing, thinking and acting in the best way, and because of their intelligence, schooling, employment, experience, and through the various forms of prestigious public recognition they might have received, they in their still sleeping state (though often it is no different for awakened individuals, so long as they fail to understand the workings of the Foreign Installation, how it is employed against them, and that just because they are not - or no longer - targeted and attacked outright - doesn't necessarily mean they are free or outside of the abilities of the hidden controllers to target and attack them, it likely means that for having failed to realize the existence of their own Foreign Installation, and their ability to be controlled and manipulated by it, they are left alone by the hidden controllers for posing no serious threat to their agenda, especially if the information and knowledge they are passing on serves the agenda of the hidden controllers for being inaccurate, ineffective, insignificant, or worse, pure disinformation or propaganda) believe the views they hold, the work they do, the stances they take, the ideas they defend - or attack - are highly sound, and no evidence to the contrary could ever convince them otherwise; and yet, because of the Foreign Installation, because of they many ways it is used to program us, but in such a way that one is unable to understand or recognize it - and all the more so, obviously, if one doesn't even know it exists in the first place - until certain very specific aspects of waking up are experienced which in turn allow one to recognize it, despise it, and thus seek to be rid of it of deprogramming oneself from it.
[I have to leave it here for now. I'll expand upon it as soon as I have the opportunity to do so. Hopefully what I've written thus far is informative and helpful to others.]
Search my blog for other more detailed discussions about the Foreign Installation. Also see the links that follow:
The Love Bite and the Foreign Installation: Narcissistic Abuse and Human Psychopathology: the Shaping and Control of Human Behavior by the Hidden Controllers - the Matrix Governors of Simulated Reality
Insurgent Against the Archon and Matrix: Welcome to My World
Here's the Mark Devlin Podcast
5\9\2019
Straight from the horses mouth, I mean Ozzy Osbournes' [and how daft am I only to realize now as I typed his name that it's Ozzy Oz - Born?], when he says we don't live in reality - it's scripted reality.
13:21: "It's not reality now. It's scripted reality" Nikki Sixx: "It's scripted, of course."
5\9\2019
Despite the mention of depression in the title, he gives some great insight into how you manifest the life you life. I guess I'm stretching the boundaries topically by just posting a musician waxing philosophical, same as Ozzy above, but the point of these posts is, I suppose, overall, to point out just how tuned in the average rock musician is to what this world is - and long long long before the post-Millennium mass awakening started, obviously. Great line: "If you change the way you are looking at something, whatever you are looking at will change." Manifestation in a nutshell. He really does point out some seriously important truths in regard to living within this prison world - and how to make it what you want, and not it making you what it wants.
Not a great song as far as Black Sabbath goes, but the song doesn't mince its words:
Black Sabbath - Computer God
This is a subject I hope to write about extensively once I sort out my financial difficulties, which I hope will allow me the chance to dedicate myself to writing full-time about my experience and knowledge of archon, simulated reality, the matrix, MK Ultra, paranormal interference in love relationships (Love Bite), Gnosticism, alien abduction, and other similar subjects; and in this case, how these topics are often portrayed in music, particularly in the lyrics of rock and heavy metal music. .
Instead of words, I'll begin my first installment with a pair of images that suggest something other than The Who not liking the work of Stanley Kubrick.
Gnosis in Rock Music
The following is a list (in progress) of bands whose music and lyrics address Gnostic themes, the love bite, simulated reality, aliens, alchemy, and other subjects and themes that seek to reveal deeper knowledge about the world we live in. As the list grows, I'll group bands into subcategories, for example, I believe all of the Deftones' (and all of Chino Moreno's other bands, Palms, Crosses, Team Sleep) albums, starting with 2000's White Pony, deal almost without exception exclusively with gnosis, the love-bite, MK Ultra, Twin Flames, and simulated reality, and emphasising the ways in which relationships between men and women are influenced, guided or controlled in relation to these subjects.
The Who
Led Zeppelin
Rush
Deftones
Crosses
Palms
Team Sleep
Filter
Nine Inch Nails
How to Destroy Angels
Lenny Kravitz
Fear Factory
Meshuggah
Electric Light Orchestra (ELO)
Alice in Chains
Jerry Cantrell
Corrosion of Conformity
White Stripes
Black Keys
Queens of the Stone Age
See also my other posts dealing with this subject matter. One of these days I hope to compile my ideas in this regard into a complete study.
Encounters with the Archon: My Working Notes Detailing My Thoughts and Experiences
A Compilation Of My Working Notes - Archon and the Arts: Gnosis and Logos in Music and Media and
Matrix Gnosis in Music, the Love Bite in Lyrics I: Army of Anyone; Filter
The Arts and the Archon: Inspiration as Manifestation - April 28, 2019
Songs For Beta Bitches & The Love-Bite Letters: YTBW
Other Miscellaneous Thoughts and Ideas
Music
I've only started dipping into Mark Devlin's work which deals with the ways in which music is used for mind-control programming, MK Ultra, military intelligence and similar themes. I haven't yet been able to explore his work fully, but from what I've heard so far I think it's worth checking out. He also has a book out dealing with the ways in which music is used for social engineering and mind control. See the link below for podcast where he discusses the dark side of popular music: Satanism, Freemasonry, subliminal messages, and reverse masking.
Also, as I've taken to pointing out, MK Ultra is merely an archetype at the government level for a program of mind control and cultural programming on a global scale that exists at the level of this world's hidden controllers, that is, a program that exceeds in every way the capabilities of MK Ultra, which I call MKulture. It is a program that is controlled by, take your pick: the archon/demiurge/aliens/central computer/the simulation/the matrix. MKulture, as I call it, is a program that I believe targets all of humanity from birth, or early childhood, with a very important component of this program being what Carlos Castaneda called the Foreign Installation. MKulture programming utilizes the arts - film, music, literature, etc, as well as news, religion, education, and other institutions to shape, control, manipulate, experiment on, and study entire populations on a global scale by targeting and programming world cultures directly through mind control programming methodologies that exceed by far what we know of the methodologies utilized by MK Ultra. If one understands what the Foreign Installation is, it becomes easier to understand how "inspiration" works, the source from which inspiration originates from, and how all people, in particular writers, musicians, and artists, are "inspired" and used as mediums to create and write works of art and music that influence and shape entire cultures and generations, yet with the content contained within the works of many artists, pop artists especially, often exceeding their own level of personal knowledge and understanding, which explains why so many artists are unable or unwilling to discuss the deeper meanings or messages contained within the works they create. This suggests to me that when it comes to certain hugely popular artists, writers, and musicians that, in addition to their knowing they are incapable of understanding and discussing their own work in any meaningful way, they also know why they can't understand it, and may in some cases know very specifically the "source" behind their "inspiration," which goes a long way to explain why so many artists after achieving fame and fortune are so often dissatisfied, unhappy, depressed, jaded, or even disdainful of their own artistic success - with many artists often openly admitting to feelings like fakes - and this is because they know they are only playing a role, that beyond the riches of their Faustain bargains, they are nothing but vessels used to deliver content that originates with our hidden controllers and serves a larger agenda, and therefore their "art" having little to do with their own creativity, imagination, or artistic talent. Artists of this kind are directly utilized or exploited for the purposes of MKulture programming, with some of these artists being fully conscious of their roles and who they are used, others only vaguely aware of it, but not caring, so long as they are rich and famous, and still others, who, when they come to realize they've been exploited or have been duped into becoming frauds, and they attempt to do something about it, they end up ruining their careers, bankrupt, or dead.
On the other hand, I do believe that their are also true artists, ones that do what they do without compromise, without agreeing to Faustian bargains, and who are careful to sift through and filter the content of their "inspiration" if it conflicts in a way with their personal vision of their art, why they do it, how they do it, and what the ultimate aim of their art is. It is my belief that in discussing the nature and use of poetry, Plato in the Republic, is addressing how the arts can be used or misused to influence people, the youth especially, though he doesn't so so far as to break down in the way I have, with there being two kinds of artists, those that are utilized and exploited for programming, and those whose work in order to oppose such programming, which therefore results in the creation of two very distinct types of artistic output, the first being art as a product, designed to earn tons of money, influence millions of people, and to advance the agenda of the hidden controllers; the second kind of art, created at the level of Platonic Forms, is created by artist who are aware of the possible negative influences that "inspiration" can have on their completed works, and so they work as honestly and diligently as possible to create art that conforms to their own level of knowledge and understanding, and instead of trying to create art that appeals to the masses, the art they create is intended to deepen their own knowledge and understanding of self within a world they know or intuit is being controlled and manipulated by hidden forces they may or may not know directly, but whose agenda they oppose overall.
It is important to keep in mind in all of what I discussed above, especially for those who think mostly in terms of the Illuminati, cabals, black magicians, and the various conspiracies these groups are thought to be the architects of, with systems of magic and mind control programs like MK Ultra being the primary means by which these conspiracies are brought to fruition, because the ways in which I pointed out that artists can be "inspired" by the hidden controllers, by means of what Carlos Castaneda called the Foreign Installation (FI) -- to do through their art the bidding of the hidden controllers, with the level of creativity and hidden agenda in their work, because they are channeling their "inspiration," exceeds anything their natural talent and/or artistic agenda would have led them to create otherwise; and that, while some artists are likely conscious that the "inspiration" they are channeling is something that comes from without, and has an agenda to it, many artists likely do not, so they continue doing what they do so long as the fame and fortune continues, even if they come to sense something fraudulent about what they do - though because they believe their "inspiration" is their own, not something channeled, let alone something intended to manipulate them, and to further a nefarious programming agenda, they fail to understand why they feel the way they do -- applies to everyone in the world, and, again, if one understands what the Foreign Installation is, how it effects the behavior of individuals, their beliefs, their programming, their biases, etc, and how this FI is utilized by the hidden controllers to manipulate everyone, including you and me. So it should become clearer now how individuals - without being Illuminati, without being in cabals, or without being black magicians - individually and collectively, can unconsciously do the bidding of the hidden controllers, and unwittingly serve to further their agenda, while all the time believing oneself to be doing good, important work that serves the greater needs of others - and here, in place of artists, think scientists, doctors, mental health professionals, lawyers, judges, lawmakers, politicians, feminists, human rights activists, religious leaders, etc, etc, can and do believe they are doing the right thing, thinking and acting in the best way, and because of their intelligence, schooling, employment, experience, and through the various forms of prestigious public recognition they might have received, they in their still sleeping state (though often it is no different for awakened individuals, so long as they fail to understand the workings of the Foreign Installation, how it is employed against them, and that just because they are not - or no longer - targeted and attacked outright - doesn't necessarily mean they are free or outside of the abilities of the hidden controllers to target and attack them, it likely means that for having failed to realize the existence of their own Foreign Installation, and their ability to be controlled and manipulated by it, they are left alone by the hidden controllers for posing no serious threat to their agenda, especially if the information and knowledge they are passing on serves the agenda of the hidden controllers for being inaccurate, ineffective, insignificant, or worse, pure disinformation or propaganda) believe the views they hold, the work they do, the stances they take, the ideas they defend - or attack - are highly sound, and no evidence to the contrary could ever convince them otherwise; and yet, because of the Foreign Installation, because of they many ways it is used to program us, but in such a way that one is unable to understand or recognize it - and all the more so, obviously, if one doesn't even know it exists in the first place - until certain very specific aspects of waking up are experienced which in turn allow one to recognize it, despise it, and thus seek to be rid of it of deprogramming oneself from it.
[I have to leave it here for now. I'll expand upon it as soon as I have the opportunity to do so. Hopefully what I've written thus far is informative and helpful to others.]
Search my blog for other more detailed discussions about the Foreign Installation. Also see the links that follow:
The Love Bite and the Foreign Installation: Narcissistic Abuse and Human Psychopathology: the Shaping and Control of Human Behavior by the Hidden Controllers - the Matrix Governors of Simulated Reality
Insurgent Against the Archon and Matrix: Welcome to My World
Here's the Mark Devlin Podcast
5\9\2019
Straight from the horses mouth, I mean Ozzy Osbournes' [and how daft am I only to realize now as I typed his name that it's Ozzy Oz - Born?], when he says we don't live in reality - it's scripted reality.
13:21: "It's not reality now. It's scripted reality" Nikki Sixx: "It's scripted, of course."
5\9\2019
Despite the mention of depression in the title, he gives some great insight into how you manifest the life you life. I guess I'm stretching the boundaries topically by just posting a musician waxing philosophical, same as Ozzy above, but the point of these posts is, I suppose, overall, to point out just how tuned in the average rock musician is to what this world is - and long long long before the post-Millennium mass awakening started, obviously. Great line: "If you change the way you are looking at something, whatever you are looking at will change." Manifestation in a nutshell. He really does point out some seriously important truths in regard to living within this prison world - and how to make it what you want, and not it making you what it wants.
Not a great song as far as Black Sabbath goes, but the song doesn't mince its words:
Black Sabbath - Computer God
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